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New York Music Daily: Restless Idealism

"Tenor saxophonist Roxy Coss‘ new album Restless Idealism – streaming at Spotify – takes its title from a Hunter S. Thompson quote. It’s a concept album of sorts, examining dynamics between hope and cynicism, alienation and intimacy. Coss writes vivid, purposeful songs without words and plays with an uncluttered, often smoky tone reminiscent of Harry Allen. She’s got a gig coming up at Club Bonafide (the old Something Jazz Club upstairs space on E 52nd St.) on March 24, with sets at 7:30 and 9:30 PM. Cover is $10.

Don’t Cross the Coss, a catchy swing shuffle, makes an excellent, subtly amusing opening number. See. a lot of people misread Coss’ name. Add to that the subtext of what seems sweet on the surface being every bit as formidable an opponent, and you get the idea. Chris Pattishall’s piano, dancing between raindrops, and Willie Jones III’s martial snare volleys complete the picture.

A rather stern, stark piano figure introduces Waiting, shifting to an uneasy jazz waltz, Coss taking a brooding, steady stroll, eventually circumnavigating the upper registers as the rhythm loosens and the song brightens, a happy ending not foreshadowed. Again, Pattishall’s glittering piano seals the deal before a dancing Alex Wintz guitar solo."

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