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Quintet

by Roxy Coss

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Free To Be 04:52
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You're There 06:34
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about

This exciting video project serves to rearrange and reimagine a collection of previously heard Coss-penned tunes. Rather than a “greatest hits” package, Quintet offers fans an invigorating compilation of fresh new takes on some of the stalwart’s most cherished compositions, plus one new track – the saxophonist’s arrangement of “All or Nothing At All”. These eight live recordings will each have their own individual video release. The disc’s title indeed has a double meaning, as although it marks Coss’ fifth album as a leader, it also notes her favorite type of small jazz ensemble. Quintet is brought to fruition by the bandleader’s formidable group which features pianist Miki Yamanaka, guitarist Alex Wintz, bassist Rick Rosato and drummer Jimmy Macbride.

Roxy Coss’ first four discs charted her evolution of becoming a modern jazz saxophonist of note. She exemplifies the true glories of a jazz musician by being both a torchbearer and an envelope-pusher. As an instrumentalist, she wields a burnished, brawny tone, capable of expressing a gamut of emotions. Her prowess on the tenor and soprano saxophones has elicited placings in DownBeat magazine’s critics’ polls in five consecutive years.

Then there’s Roxy Coss, the insightful composer. The bulk of her burgeoning discography contains fetching originals – a few of which are, as regarded by jazz journalist John Murph, bound to become early 21st-century jazz staples. All of these fine attributes reign on the aptly titled Quintet, while it offers a new celebration of sorts – Roxy Coss, the bandleader. Classic 1960s Blue Note ensembles such as Art Blakey and the Jazz Messengers and various groups led by saxophonists Wayne Shorter and Hank Mobley provided the earlier boilerplate for the Roxy Coss Quintet, which began in 2008 – two years before she released her self-released, eponymously titled debut. After landing a residency at New York City’s jazz club Smoke, Coss reconfigured her own frontline by pairing her saxophones with guitar. At this time, Alex Wintz joined the band and the guitarist is now the Quintet member with the longest history of playing with her. The rest of the ensemble consists of drummer Jimmy Macbride, bassist Rick Rosato, and pianist Miki Yamanaka – all of whom played on Coss’ fourth, critically-acclaimed disc, The Future Is Female (Posi-Tone, 2018).

The album blasts off with “Don’t Cross The Coss”, which was first recorded on Coss’ 2016 Origin Records’ release Restless Idealism. The whimsical title plays up some people’s initial misreading of the composer’s last name! While Yamanka’s glimmering Rhodes accompaniment elevates and uplifts the disc’s sole non-original, “All or Nothing At All,” “Mr. President,” is a biting socio-political commentary on U.S. President Donald Trump. Reminiscent of Charles Mingus’ classic “Fables of Faubus”, this ominous tune originally appeared on The Future Is Female.

Brighter spirits return on the pulsating “Free to Be,” a tune from her 2017 Posi-Tone disc, Chasing the Unicorn; it’s a self-prescribed manifesto Coss penned for herself to help her push through fake barriers that nip creative energy and personal development. The sauntering, Brazilian-flavored “You’re There,” – also from Chasing the Unicorn – celebrates her marriage with saxophonist Lucas Pino. Following “Enlightenment” – a ballad which graced Coss’ 2010 debut – is “Breaking Point.” On this soaring composition, which first appeared on Restless Idealism, Coss’ soprano sax embarks on coruscating passages in twin-fashion with Wintz. Quintet concludes with another socio-political statement – the urgent “Females Are Strong As Hell,” arguably the emotional centerpiece for The Future Is Female. Indeed, it’s an anthem in light of the #metoo Movement and the fight for many female jazz musicians such as Coss to get the same recognition and performance and recording opportunities as their male counterparts.

Roxy Coss’ saxophone and compositional gifts have been without question for nearly a decade, and with Quintet her bona fides as a noteworthy bandleader have now been deftly and unquestionably established.

credits

released August 23, 2019

Produced by Roxy Coss
Recorded by Nolan Thies at The Bunker Studio / Brooklyn, NY
Mixed and Mastered by David Darlington at Bass Hit Recording / New York, NY
Recorded on October 28, 2018
Photography by Desmond White
Graphic Design by Jamie Breiwick at B Side Graphics
Liner Notes by John Murph

Roxy Coss - Tenor and Soprano Saxophones
Miki Yamanaka - Piano and Rhodes
Alex Wintz - Guitar
Rick Rosato - Bass
Jimmy Macbride - Drums

All Compositions by Roxy Coss (Roxy Coss Music ASCAP) except "All or Nothing At All", by Arthur Altman and Jack Lawrence

p and c 2019, Roxy Coss
Originally released on Outside in Music

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Roxy Coss New York, New York

Musician, Composer, and Bandleader Roxy Coss has performed around the world, headlining at major festivals and venues. The Downbeat Critics’ Poll listed her as a "Rising Star" on Soprano Saxophone the past six years and Jazziz Magazine listed her an “Artist to Watch in 2019”. Roxy is the Founder of Women In Jazz Organization (WIJO) and an endorsing Artist for P. Mauriat, Vandoren, and Key Leaves. ... more

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